Composer and conductor Kalyi Moldobasanov is considered one of the Kyrgyz Republic's brightest musical talents and the leading figure in the nation's music scene. His formal training mirrors the musical journey of the nation—early mastery of traditional folk instruments like the komuz led to training in the violin and finally conducting classical symphony orchestras.

Kalyi has scored numerous ballets, cantatas, symphonic and chamber compositions, movie and theatre soundtracks, ballads, and arrangements for orchestras of Kyrgyz national instruments. Each is marked by his signature sound that fuses Kyrgyz folk music traditions with the attitude of Western classical. His best known works include the ballets "Kuiruchuk" (1958) and "Motherly Field" (1975), which is still being performed today.

Nature and mountains, the human condition, sweeping imagery of the country, and poignant modernism pour from Kalyi's creations, which resonate with the Kyrgyz people and have made Kalyi a well-loved national treasure.

For his creativity and desire to give the Kyrgyz Republic and its people a voice through music, Art of Silk Road 2003 honors Kalyi Moldobasanov with its Lifetime Achievement Award.

Moldobasanov Kalyi

Ìîëäîáàñàíîâ Êàëûé

35 Erkindik Prospect Apt.40

Bishkek 720040

Kyrgyz Republic

Tel: (996 312) 624 616

 

Êûðãûçñêàÿ Ðåñïóáëèêà

720040 Áèøêåê

ïð. Ýðêèíäèê ä.35, êâ.40

òåë: (996 312) 624 616


Íàðîäíûé àðòèñò ÑÑÑÐ, Ãåðîé Ñîöèàëèñòè÷åñêîãî Òðóäà, ëàóðåàò Ãîñóäàðñòâåííîé ïðåìèè ÑÑÑÐ, Êàâàëåð îðäåíà «Ìàíàñà» 1-é ñòåïåíè, ëàóðåàò Ìåæäóíàðîäíîãî êëóáà èì. ×. Àéòìàòîâà.

Êàëûé Ìîëäîáàñàíîâ _ êîìïîçèòîð, äèðèæåð, îäèí èç ïðåäñòàâèòåëåé ÿð÷àéøåé ïëåÿäû ìàñòåðîâ ìóçûêàëüíîãî èñêóññòâà Êûðãûçñòàíà.

Ðîäèëñÿ â 1929 ãîäó â ñåëå Òåðåê Íàðûíñêîé îáëàñòè.

 1945 - 1950-å ãîäû ó÷èëñÿ âî Ôðóíçåíñêîì ìóçûêàëüíîì ó÷èëèùå, ãäå âëàäåÿ êîìóçîì, îñâàèâàë ñêðèïêó, ðàáîòàë ïàðàëëåëüíî â îðêåñòðå íàðîäíûõ èíñòðóìåíòîâ. À íà ýêçàìåíå âûñòóïèë êàê ñêðèïà÷ è äèðèæåð, âûíåñøèé Êîíöåðò ðóññêîé êëàññèêè ñîáñòâåííîé îðêåñòðîâêè.

 1955 ãîäó îêîí÷èë Ìîñêîâñêóþ êîíñåðâàòîðèþ, áëåñòÿùå ïðîâåäÿ â äèïëîìíîì êîíöåðòå «Ôðàí÷åñêó äà Ðèìèíè» Ï. ×àéêîâñêîãî è Êîíöåðò äëÿ ñêðèïêè ñ îðêåñòðîì À. Õà÷àòóðÿíà.

Òâîð÷åñêèé ïóòü ìàñòåðà _ ïðèìåð ðàçâèòèÿ ìóçûêàëüíîãî èñêóññòâà ðåñïóáëèêè îò ôîëüêëîðíûõ ôîðì ê ñëîæíåéøèì ïðîôåññèîíàëüíûì æàíðàì, îò êîìóçà äî ñèìôîíè÷åñêîãî îðêåñòðà è îïåðíî-áàëåòíîãî òåàòðà.

Åãî ïåðó ïðèíàäëåæàò áàëåòû è êàíòàòû, ñèìôîíè÷åñêèå è êàìåðíî-èíñòðóìåíòàëüíûå ñî÷èíåíèÿ, ðîìàíñû è ïåñíè, ïüåñû äëÿ äóõîâîãî îðêåñòðà è äëÿ îðêåñòðà íàðîäíûõ èíñòðóìåíòîâ, ìóçûêà ê äðàìàòè÷åñêèì ñïåêòàêëÿì è êèíîôèëüìàì.  åãî ïðîèçâåäåíèÿõ, ñîâðåìåííûõ è àêòóàëüíûõ, ñïëàâëåí íàðîäíûé ôîëüêëîð è êëàññè÷åñêàÿ ìóçûêà. Ïðè ýòîì ñòèëü è ïî÷åðê Ìîëäîáàñàíîâà áåññïîðíî óçíàâàåìû, êàê áûâàåò ó çðåëîãî ìàñòåðà.

Çíà÷èòåëüíûì è ìàñøòàáíûì ñî÷èíåíèåì ÿâëÿåòñÿ áàëåò «Êóéðó÷óê» (1958), âûïîëíåííûé â äâóõ ðåäàêöèÿõ. Âûñøèì äîñòèæåíèåì è íàèáîëüøåé òâîð÷åñêîé óäà÷åé ñòàë áàëåò - îðàòîðèÿ «Ìàòåðèíñêîå ïîëå» (1975), ïîñòàâëåííûé ïî îäíîèìåííîìó ïðîèçâåäåíèþ ×. Àéòìàòîâà.
 äåñÿòêàõ òåàòðàõ ìèðà ñ áîëüøèì óñïåõîì èäåò ýòîò ñïåêòàêëü.  1985 ãîäó íà ñöåíå Êûðãûçñêîãî òåàòðà îïåðû è áàëåòà áûëà îñóùåñòâëåíà ïîñòàíîâêà «Ñêàç î Ìàíêóðòå», âûçâàâøàÿ îãðîìíûé çðèòåëüñêèé ðåçîíàíñ.

Ïðèðîäà ãîðíîãî êðàÿ, õàðàêòåðû ëþäåé, ýïè÷åñêèå îáðàçû ñòàðèíû è îñòðàÿ ñîâðåìåííîñòü _ òàêîâî ñîäåðæàíèå òâîð÷åñòâà Ìîëäîáàñàíîâà - êîìïîçèòîðà, äèðèæåðà, ïåäàãîãà, îáùåñòâåííîãî äåÿòåëÿ, áåç êîòîðîãî íåìûñëèìà ìóçûêàëüíàÿ êóëüòóðà Êûðãûçñòàíà.



   BACK


National Museum of Art,  Project "Art of Silk Road"

196 Baytik Baatyr street, 720000, Bishkek, Kyrgyz Republic, Tel.: 996 (312) 66-14-47

E-mail: artofsilkroad@intranet.kg, Web: http://www.artofsilkroad.com

Copyright Art of Silk Road Exhibition Organizing Committee